Tuesday, October 5, 2010

Teaser Tuesday

I promised an actual update, and I figured this would count. Here's the first chapter of my YA dystopian, SILENCE! It's rough and unedited, but I think you'll get the gist of things. Enjoy!

A note: Originally this was supposed to be a historical piece set during WWII, so there are some inconsistencies with setting. You can just ignore that for now :-p

---

-1-
The room was dark. Soft petals of dust fell through the air and landed on Neva’s skin. A thin ribbon of light shone through the crack beneath the door, illuminating the tiny particles that clung to the hairs on her arm. She watched them dance before her eyes, shimmering in the near darkness. When she reached up to wipe away her tears, the dust swirled up and away from her, only to settle moments later, creating new patterns on her body.

Curled up on her side, she trained her eyes on the thin golden line, a barrier that separated her from the outside world. In her mind’s eye, she could picture the massive room that stood empty, save for the workbench covering the door to her hiding place, and the hallway that led to a set of stairs. A bare light bulb hung in the center of the room, the only thing keeping Neva’s world from sinking into total darkness. She could hear people moving around above her, pots and pans banging as someone – probably Mrs. McGarvey – began to prepare dinner. Mr. McGarvey must have been standing near the top of the stairs, because his laugh boomed down into the depths of the house, ringing in Neva’s ears. It was a distinct sound, one that came from so deep within his paunch belly, she wasn’t sure of its origin. She liked to imagine that it started at the very tips of his toes and worked its way up his lumbering body until finally escaping through the mustache-lined hole in his face. It was a pleasing sound, one that had lifted the corners of her mouth on more than one occasion.

But Neva never joined in. She wasn’t sure if she’d ever have a reason to laugh again. The thick scab forming on the inside of her wrist was yet another reminder of everything she’d lost over the last year. First [the country] had lost its leader, only to be replaced by the cold and efficient running of the Guard. Nearly every freedom she’d once had had been ripped away. Everyone living in [country] was forced to have a tracking device inserted beneath their skin, a daily curfew of 8:00pm was set, and everyone was forced to register with the Guard. For the first time in her life, Neva had been unable to hide from anyone; no matter where she was, someone would be watching.

Her back was pressed against the back wall of the tiny room. It wasn’t much more than a closet, with only old, moth-eaten garments to keep her company. They smelled of disuse and old age, the fabrics musty and dank. The air was thick with the smell of fear and dead things; Neva had spent the night curled up next to a dead mouse she’d found in the pocket of an old tartan jacket. It was stiff with rigor mortis, hardly more than skin and bones, but she’d set it next to her head and named it Rufus.

It had been just over a week since Neva came to call this closet home. It was nothing compared to the house she’d spent most of her childhood in, with its posh bedrooms and oversized, updated kitchen. There had been a garden, too, full of rose bushes and apple trees. When she was angry with her parents, she’d often climb those trees and hide there until one of them came to coax her down. They had been good friends, those trees, keeping her company throughout her childhood. When they’d moved to Galway when she was six, she’d lost touch with her old friends, and being the quiet thing that she was, hadn’t really made the effort to find new ones. She’d been perfectly content to sit under the trees all day and read about other girls who still had friends.

That was before the war. 

But then, one night, a man came to their door and told them they had to leave. He did not tell them where they were going, only that they had an hour to pack, and they could only bring one suitcase with them. Neva could still remember the crisp lines of his uniform, the baton at his side, and the deadened look in his eyes as he ordered them about. She’d been too afraid to say anything, and allowed her mother to pack her things for her, only opening her mouth to tell the woman that she needed her blanket.

“Of course, pet,” her mother consoled, and immediately folded the ratty yellow thing and tucked it into Neva’s suitcase, which she was forced to carry all the way to the edge of town. They joined a growing number of displaced neighbors, all talking quietly under their breaths, trying to figure out what was happening. But after a lengthy train ride that introduced them to the Warsaw ghetto, Neva and her family found themselves the proud owners of a tiny one-room apartment that was so filthy, even the insects refused to live in it. Her cot hadn’t been much bigger than her closet was now. The only difference was that, in Warsaw, she’d had her family close by. Now, she was completely alone.

She shifted slightly, so that her back came to rest against the knotted floorboards, her knees bent because the three-foot space couldn’t even accommodate her tiny limbs. Though the vortex above her was nothing but darkness, she knew there was a spider web draped across the left corner, its maker’s home now on the bottom of her shoe. Her toes just brushed the metal can she used as a bathroom throughout her day, though today, like many days, it was empty; the acrid smell of stale urine was something Neva could not get used to.

Closing her eyes, she strained her ears for any signs of life. Something scuttled across her fingers, and she jerked her hand back, flinging the creature into the bucket. There was a tiny ping as it landed, and then a succession of quiet tap-tap-taps as the critter continued to hit the side of the can. Through the brick wall and the cabinet that kept her hiding place secret, Neva could just make out the tinkling sounds of Mrs. McGarvey’s voice as she asked her husband about his day. She couldn’t quite make out his response, but he seemed to be in a good mood. That meant no one had grown suspicious yet, and Neva felt herself relax, if only slightly.

Just as the smell of stew began to suffocate her, she heard the telltale scraping sound of wood against wood. The light beneath the door grew to a luminous glow, warming the lower portion of her face as the sun had once done. There was the sound of a key jiggling around in the lock, and finally the door swung open, revealing a boy not much older than Neva herself.

“Miss Shulman,” he nodded. “And how was your day?” Bending down, he offered her a hand that she readily accepted. Being pulled into a standing position resulted in numerous pops as her cramped bones and muscles relaxed. 

“August,” the boy’s mother called from the kitchen, “dinner’s almost ready. Could you tell Neva?”

Cracked lips strained against a smile as August imitated his mother’s high soprano. “Neva, I thought you should know that dinner is almost ready. Would you care to join us?” He gave her an impish smile, knowing a response would never come.

Hesitantly, Neva nodded, and slowly followed August down a dark, soggy corridor and into the kitchen. At seventeen, he’d surpassed the height of everyone in his class, and loomed over Neva’s petite frame as he pulled her chair out for her. She had to shield her eyes for a moment, letting the dull ache behind her eyes slowly subside. The McGarvey’s kitchen was always glowing and warm, but after countless hours spent in darkness, it still took some getting used to. 

The family’s politeness had been overwhelming at first. Mr. McGarvey had insisted on carrying her bag, despite the fact that all it contained was her blanket, a worn copy of Romeo & Juliet, and a spare dress or two. His wife had provided her with a comb and a clean set of clothing, as well as a pillow on which to lay her head. Not unlike his parents, August had given her a tour of the home, and had thus far pulled her chair out each and every evening. He also held doors open for her, and helped her up whenever he came to let her out of the closet. At first, Neva had wondered if they were merely putting on a show, but nothing had changed during the past week, and she had heard others come and go throughout the day, each treated with the same level of kindness and propriety. She was left to assume that the McGarvey’s really were just a descent lot.

Already familiar with the drill, Neva nodded her thanks and took the seat offered to her, patiently waiting for a plate to be set in front of her. She nodded once more when Evie McGarvey set a steaming bowl of lamb stew in front of her, and offered the tiniest of smiles when the woman asked if she was doing all right. 

“I really wish we had somewhere more comfortable for you to stay,” she babbled, dishing up food for her husband and son. “But I’m afraid anywhere else in the house, and you might be discovered.” 

“I cut up an old mattress for you,” Carl joined in, tucking his napkin into his collar. “It’s a little lumpy, but it has to be more comfortable than the floor.”

Neva appreciated the effort her new family was making. Where her real parents had tried – and failed – to provide for her, the McGarveys were wealthy enough that they could afford real food, and a roof that didn’t leak. The cold that had settled in her chest long before she arrived had been cured with a few doses of medicine, and while most of her day was spent alone, they welcomed her each evening, handing her books and magazines to read, or letting her listen to the radio. It wasn’t a great life, but it could have been much worse.

“Go ahead, dear. Tuck in,” Evie urged, smiling kindly at Neva, who had yet to begin eating. Maybe it was out of habit, or just consideration, but she couldn’t bring herself to start before the rest of the family. They continued to feed her first, but she always waited until everyone was seated, food in front of them, before picking up her fork.

August, noticing her discomfort, immediately grabbed his utensil and dug in, mumbling praise around a mouthful of lamb. Silently thanking him, Neva finally reached for her own spoon and let it sink into her bowl. Over the tip of her nose, she regarded the boy across from her with quiet interest. He was tall and lean, but didn’t look starved like all the other boys she’d seen recently. His sandy curls were unruly and hung a bit low for his mother’s taste, and yet he somehow managed to avoid getting a haircut. But what Neva really liked were his eyes. They were a clear opalescent blue, and shockingly wide. It made it appear that whatever August was looking at, it was the first time he’d seen it. When he smiled, two dimples formed on either side of his mouth, a characteristic Neva found rather charming. In her seventeen years, she’d seen only one boy as handsome as August, and that was the boy who’d lived across the street from her. But she’d watched the Gestapo beat him to death just last week.

“I had Carl draw you a bath,” Evie said after a while, concerned eyes roving over what Neva presumed to be her disheveled appearance. “Do you remember where the upstairs bathroom is?”

Neva nodded. Though she’d only been shown the second floor upon her arrival, she’d spent countless hours during the day mentally retracing her steps. And even if her memory wasn’t accurate, it couldn’t be that difficult to find.

“Take as long as you’d like.” Evie reached over and patted her hand, a gesture that caused Neva to shrink back in surprise. It hadn’t been that long since she’d last seen her mother – just over a week – but the wound of losing her parents was still fresh in her mind. Though the McGarveys had been nothing but kind to her since her arrival, allowing Evie to touch her was still terrifying. She liked the woman, but she couldn’t allow herself to grow close to these people. What if she lost them, too?

No, it would be better to keep her distance. In the end, it would be easier on everyone.

An expert at covering up awkward moments, Evie drew her hand back and immediately turned to her husband, asking about those others they knew who were harboring Jewish children. Neva listened for a while, cherishing the stock that burned her throat as it slid down like butterscotch. She tried to keep her eyes trained on her bowl, but on more than one occasion, caught August watching her from across the table, his eyebrows knit into a frown. She wasn’t sure it was because he disapproved of the way she acted around his mother, or something else entirely. She didn’t care enough to ask, so she finished the last of her dinner, never asking for seconds, and disappeared into the front hallway.

Neva liked the McGarvey’s parlor. It was lined in dark mahogany and plush couches, and an ornate crystal chandelier hung from the ceiling. There was a large bay window that overlooked __ Street, and exerted a strange pull on her as she stared at it from the doorway. The sun was still out; she could tell by the copper light streaming in through a gap in the curtains. As a girl who enjoyed spending time outdoors, it had been difficult to spend the last week cooped up in a closet. All she wanted was a glance, a quick peek. She needed to feel the sun on her cheeks, to see others strolling about. She needed to know the world hadn’t ended while she was locked away.

The sound of footsteps brought her back. Turning, she wasn’t surprised to find August standing a few steps away, hands shoved deep in his pockets. He glanced toward the window, then back at Neva, his expression sad. 

“I’m really sorry,” he said, his voice gravely and low. Neva always wondered how someone so handsome could have such an ugly voice. “Maybe you’ll be able to go outside soon.”

But they both knew it wasn’t true. Based on the snippets Neva had caught on the radio, it was unlikely that things would improve any time soon.

August’s fingers reached out to her, brushing against the tender skin on the inside of her palms. The heat he transferred to her, if only briefly, was enough to replace the missed sensation of sunlight. He was the only person Neva trusted to come near her, and she allowed him to touch her like that for a few lingering moments. His eyes bored into hers, sending shivers down her spine. To Neva, it always seemed as if August was trying to piece her together, like one of his father’s complex puzzles. He’d told her just yesterday that she was a mystery he wanted to figure out, but had no idea where to begin.

Uncomfortable by his sudden closeness, Neva took her hand back and turned on her heel, taking the stairs two at a time. She heard August blow out a sigh, then his receding footsteps as he returned to the kitchen. He was only trying to get to know her, but beyond the few times Neva let him touch her, she couldn’t bring herself to make an effort. August was a nice boy, who, unlike her, had his whole life ahead of him. No one was going to come to his home in the middle of the night and drag him out into the streets. He was German, through and through, with an uncle and grandfather serving directly under Adolf Hitler. He still had parents who loved him. Instead, Neva found herself living in constant fear of being discovered, completely alone in the world. She’d watched a Nazi soldier shoot both her parents from where she hid in an alley beside her building. So while she appreciated August’s concern, he just couldn’t understand what she’d been through, and she didn’t have the strength to try and explain.

Her feet padded along the carpeted hallway towards the last door on the right; inside was the bathroom, just as she’d remembered it. The dark maple floor contrasted sharply with the creamy white tiles, offset by the burgundy towels Evie had provided. The tub was filled to the brim, a small selection of salts and perfumes lined up alongside it. Eager to rid herself of the stench imbedded in her clothes, possibly even her skin, Neva tugged off the filthy dress she’d been living in all week and slipped into the water. It was still warm, and she took her time testing each and every bottle. The scent of roses and chamomile wafted over the surface, curling around her and enveloping her in quiet luxury. She washed her hair with a bottle of shampoo she recognized as August’s, and lingered in the plush towel left for her to use. She couldn’t remember ever having felt this clean.

As she sat in the humid bathroom, staring at the heap of clothes at her feet, Neva felt a wave of shame wash over her. The floral pattern was faded and yellow, the spots beneath her arms discolored and in need of repair. Dust and dirt cling to the fabric, and as she peered at herself in the mirror, wondered if the rest of her had looked the same not half an hour ago. There was still dirt stuck beneath her fingernails, but she’d long since given up trying to rid them of it. Her skin was cracked and dry, her lips chapped, but at least her hair was clean now, and she didn’t smell of decay.

It took another half hour before she could bring herself to go back downstairs. Knowing that she’d soon have to go back into hiding, she dawdled as best she could, slowly combing out her shoulder-length brown locks and buttoning up the dress she’d been given. She made sure to drain the tub and clean up any mess she’d made, glancing furtively at the bottles. She hoped no one would notice that each was missing a little more than necessary.

Around nine o’clock, she poked her head into the parlor, where everyone was gathered around the radio. She took her place on the divan and waited for any news about the war, but after half an hour, grew bored. Nothing had changed in Germany that day, and as much as she disliked her cramped quarters, found herself returning to them nonetheless. August followed her, despite the look she sent him.

While she’d been cleaning up, Carl had shoved the tattered mattress into the closet, along with another pillow and blanket. There was also a parcel wrapped in butcher paper. She looked questioningly at August, who was grinning.

“I thought you might want some candy. The corner store had a special on chocolate today.”

It had been over a year since Neva had had anything sweet, let alone something as expensive as chocolate. She couldn’t repress the grin that leaked out, and without thinking, reached out to give August’s hand a squeeze.

“You’re quite welcome,” he said matter-of-factly. “But you know what would be an even better thank-you?”

Neva could only hazard a guess.

“You could say something. Anything. Just ‘hello’ would be fine.”

She shook her head sadly, and sank down onto the uneven mattress. Carl was right – it was infinitely better than the floor.

August loomed over her, blocking the faint light that had made it to the end of the hallway. He looked… not frustrated. Sad, maybe. Confused. “I just wish I knew what to say to you, Neva.”

And while a small part of her wanted to tell him he’d already said more than enough, done more than enough, the words just wouldn’t come out. The overwhelming sorrow of losing her parents had knocked her voice right out of her. And if she were being honest with herself, she wouldn’t really mind if it never came back.

Knowing their one-sided conversation had ended, August said goodnight, taking his time closing the door. It was almost as if he was waiting for her to stop him, Neva thought.

Well, she couldn’t provide that kind of satisfaction. So she sat there, watching the light slowly fade, until all there was was darkness once more.

Monday, October 4, 2010

Odds and Ends

Once again, I have been sucked into the vortex of my college education. And that, dear readers, is the only excuse I have for my sporadic updating. But I come bearing apologies! Which should pacify you for some time.

Because school's been keeping me so busy (220-something days until I graduate and am done with school forever!), I haven't had much time to write. However, you should probably know that I've completed my outline for SILENCE, and am about 15k into OBSESSION. Which reminds me that I should probably update the word counts in my sidebar.

But anyway.

I'm also waiting to hear back on a copy editing job I applied for. I suspect I'll get an answer this week, so my fingers are crossed.

In terms of reading, I've got an ever-growing TBR pile. I started INCARCERON last night. I have one chapter left in Lauren Kate's FALLEN, but I could probably tell you how it ends without reading it. So maybe I won't. I've also read the opening chapters of GIRL IN THE ARENA and BEAUTIFUL CREATURES. And am 250 pages into THE PASSAGE by Justin Cronin. So, as you can see, I'm as ADD about what I read as I am about writing. At this rate, I'll start every book on my list, but never finish any of them.

I promise I'll update with something substantial soon.

Thursday, September 23, 2010

Speak Loudly

For those of you who use twitter, or are pretty religious blog readers, you're probably aware of the recent controversy regarding Laurie Halse Anderson's SPEAK, as well as Sarah Ockler's TWENTY BOY SUMMER and Vonnegut's SLAUGHTERHOUSE-FIVE. Professor Wesley Scroggins is trying to get these books banned in the town of Republic, Missouri. He's so far claimed that SPEAK is "pornographic and immoral." But honestly, I'm more worried what it says about him that he finds a book that deals with rape to be pornographic.

Though I have yet to read SPEAK, it is in my TBR pile (and I promise to write a review once I actually get to it). But for those of you not familiar with the story, here's a summary from Amazon:

In a stunning first novel, Anderson uses keen observations and vivid imagery to pull readers into the head of an isolated teenager. Divided into the four marking periods of an academic year, the novel, narrated by Melinda Sordino, begins on her first day as a high school freshman. No one will sit with Melinda on the bus. After school, students call her names and harass her; her best friends from junior high scatter to different cliques and abandon her. Yet Anderson infuses the narrative with a wit that sustains the heroine through her pain and holds readers' empathy. A girl at a school pep rally offers an explanation of the heroine's pariah status when she confronts Melinda about calling the police on a summer party, resulting in several arrests. But readers so not learn why Melinda made the call until much later: a popular senior raped her that night and, because of her trauma, she barely speaks at all. Only through her work in art class, and with the support of a compassionate teacher there, does she begin to reach out to others and eventually find her voice. Through the first-person narration, the author makes Melinda's pain palpable: "I stand in the center aisle of the auditorium, a wounded zebra in a National Geographic special." Though the symbolism is sometimes heavy-handed, it is effective. The ending, in which the attacker comes after her once more, is the only part of the plot that feels forced. But the book's overall gritty realism and Melinda's hard-won metamorphosis will leave readers touched and inspired.

Other books that come to mind when we're talking about the gritty realism teens face are Lucy Christopher's STOLEN (one of my all-time favorite books), and Elizabeth Scott's LIVING DEAD GIRL (which I actually wrote a review of). Stockholm Syndrome, kidnapping, child abuse, etc. are all things that are common in our society, but are rarely written about. I fully support those authors who take the time to bring up these topics and try to get kids talking. For all you know, the girl sitting next to you in class may be a rape victim who finds comfort in a book like SPEAK. The fact that authors are writing about things teenagers encounter and suffer is important. Bad things happen to people all the time, and we're not helping them by sweeping it under the rug.

I speak from experience.

For those of you who are not aware, I spent two months last year living in Galway, Ireland. It was for a study abroad program, and I was supposed to have spent four months there. However, after being sexually assaulted outside a bar, I found myself too afraid to remain in the city. I'd lost all of my confidence, and I didn't feel safe. I still remember how terrified I was that night. I locked myself in the bathroom and cried for over an hour, then managed to get in contact with my best friend back in the US. And while she helped to calm me down, I don't think I ever got over it. No, I wasn't raped, but I could have been if the guy hadn't been so drunk. But he left marks that didn't fade for a few days. Sometimes I'll look down at my arms and still see the bruises.

A year later, I've regained a lot of my confidence. I haven't lost faith in people, but I'm certainly more careful. I still prefer to stay away from bars when going out, and I make sure to take my guys with me when I do. I'm vigilant in making sure my girl friends are all safe. 1 in 6 women will be sexually assaulted in their lifetime, and I'm trying to make sure none of my friends have to go through what I did. It was the most terrifying few minutes of my life, and I can recall them now with perfect accuracy. Things like that don't fade. They stay with you, but I'm trying to use those feelings as motivation, rather than a hindrance.

But for those women and men we can't save, it's important that books like SPEAK be available. I've found comfort in the strength some of these characters have. It reminds me that I'm not alone.

And that is why I Speak Loudly.

Sunday, September 19, 2010

SILENCE Soundtrack

I've always made a soundtrack for each story I begin, even if I never finish it. Since SILENCE has been completely outlined, and is nearing 10,000 words, I think it's safe to say I'll actually get to use this soundtrack for a while :-p Thought I'd share it, for my fellow music whores.

Saturday, September 18, 2010

Overhaulin'

As you may have noticed, the blog's undergone a major overhaul. New background (how literary)! New sidebar (fancy)! New pages (look up)!

I think the most useful thing for you guys will be the 'writerly resources' page, where I've begun to list useful people to follow on twitter, blogs you should check out, and articles I've found really useful. I'll constantly be adding to it, so keep checking back!

Also, I've added a page for book reviews. Right now it looks pretty empty, but I have a few reviews I need to import from my other journal, and have plenty of books I'd like to write reviews for. So that will grow exponentially as well.

If you have any ideas for things you'd like to see on the blog, leave a comment! I'm open to suggestions!

Book Recommendation: Hush, Hush

HUSH, HUSH by Becca Fitzpatrick
Published October 13th, 2009 by Simon & Schuster
391 pages
DEBUT


From Goodreads:
For Nora Grey, romance was not part of the plan. She's never been particularly attracted to the boys at her school, no matter how much her best friend, Vee, pushes them at her...until Patch comes along. 



With his easy smile and eyes that seem to see inside her, Nora is drawn to him against her better judgment, but after a series of terrifying encounters, Nora's not sure whom to trust. Patch seems to be everywhere she is, and to know more about her than her closest friends. She can't decide whether she should fall into his arms or run and hide. And when she tries to seek some answers, she finds herself near a truth that is far more unsettling than anything Patch makes her feel. 
For Nora is right in the middle of an ancient battle between the immortal and those that have fallen - and when it comes to choosing sides, the wrong choice will cost her life.

~~~

Though I actually read HUSH, HUSH back in November of 2009, I thought now might be a good time to post a proper review since the sequel, CRESCENDO, is coming out October 19th. And I definitely plan to pick up a copy as soon as I can. From what I've heard, the series is supposed to be a trilogy, so at least I'll get the satisfaction of two more books before I have to find something to fill the void.

I have to be honest, the thing that drew me to this book was the cover. It's absolutely gorgeous, and every time I passed it in Barnes & Noble, I kept thinking how pretty it would look on my book shelf. I know they say not to judge a book by its cover, but I do anyway (I used to be an art history major; it's in my nature to judge covers). I won't lie when I say I was wary of picking up this book, because the summary on the jacket made it sound like a TWILIGHT rip-off, and I really wasn't in the mood for a cliche YA romance about something supernatural. But the first few pages seemed all right, so I could only hope that Becca Fitzpatrick knew what she was talking about.

Luckily, she did, and I wasn't disappointed. Truthfully, I enjoyed the book a lot. This is evidenced by the fact that I stayed up until 5am to finish it, since I was utterly unable to put it down. The book is fast-paced, interesting, and while not entirely new in terms of ideas (angels and demons are on the rise in YA, and I've seen a lot come through the slush pile), was different enough to keep me reading. The characters were likable, whether they were bad guys or good, and I really enjoyed the converging storylines at the end. There was mystery, which was a pleasant and unexpected surprise. Usually the mystery element in a YA novel is pretty easy to guess, but I was left completely clueless until the true antagonist was revealed at the end of the novel (and when the answer was given away, I did a major *facepalm*). It's a rare thing to be surprised by a book anymore, and maybe I was rendered slightly stupid by the fact it was so late when I got to the end, but it was a nice change to think that an author had done something not entirely predictable. I really appreciated the originality in that.

The writing, too, was solid. Sure, there were a few cheese-tastic lines, but I found myself laughing along with the characters at times, and certainly smiled at others. The characterization was spot-on, and while some of the things were rather cliche (location of the final show-down, anyone?), I didn't have any trouble believing their motivations.

Like I said, overall, I really enjoyed the book. Definitely recommended, and definitely (much) better than TWILIGHT. If you liked TWILIGHT, I'd say give this a shot, and if you've been enjoying the whole upsurge of vampire/werewolf/supernatural stuff, you'll be happy you bought this. Despite any qualms I may have had, I'm proud to have HUSH, HUSH on my bookshelf.

Thursday, September 16, 2010

Outlining

I have never been a proponent of outlining. I've always written things on the fly, and figured I'd work out any problems as they popped up in the manuscript. I didn't care that I didn't have a plan. I was a reckless writer, and that worked for me. I found that the more I planned for a story, the less excited I was when I eventually sat down to write it. So, instead, I would get just a glimmer of an idea, plop down at my computer, and type up as much as I could.

And that method worked.

For a while.

These days, I'm slowly starting to rethink the way I write. Maybe it was writing a thesis that instigated the change, or talking to other writers who always outlined first. Maybe I just realized that my old way of doing things was no longer working for me. Whatever the reason, something changed.

Though I'd tried to outline stories before (we're talking back in middle school and high school), I'd never get further than chapter three. I'd come up with a sufficient beginning; I'd let the rest of the chips fall where they may. So, during college, I gave up trying to outline altogether. I said "fuck it," and just wrote whatever came to mind. And that produced a few manuscripts, though I don't think I'd ever hand them over to an agent. They're drawer manuscripts, as my thesis advisor called them; they were practice runs, not a book I'd want to see on a shelf (Okay, maybe DON'T MAKE A SCENE. But only if I edited the crap out of it.). And I was okay with that.

Then last semester happened. Thesis semester. And while I'd written a good chunk of THE AGE OF NEVER GROWING OLD during NaNoWriMo, I had a third to write, and then a whole lot of revisions ahead of me. So I tried something new: I outlined the story after I'd finished it. Which may sound weird, but hear me out. Outlining after the fact turned out to be really helpful. I was able to see where I'd placed all of the rising actions, where things fell flat, where I could use some more character development, etc. And everything was already written, so I had material to work with when I began editing. So for that project, outlining after I'd finished turned out to be a great idea. And it was the first time I'd successfully outlined anything from beginning to end.

Since finishing my thesis, I haven't been able to stick to any one project. I have writing OCD (I swear this should be a legitimate, diagnosable, disease). I tried to outline a few of my projects before I began writing, but that failed. I then tried to outline as I wrote, and that failed, too. No surprises there. I was getting frustrated. I had one book book being queried, four finished books twiddling their thumbs on my hard drive, and a million ideas floating through my head. I wrote nearly 25k on one project, but as of today, haven't worked on it in nearly two months.

So what's a girl to do?

Last night I needed a break from an endless pile of homework, and decided to look over something I'd written last weekend - the first chapter of a book entitled SILENCE. I'd meant for it to be a WWII young adult romance, but after thinking it over, decided it could work just as well as a futuristic dystopian. So I turned to Microsoft Word, opened a new document, and began typing. And you know what I typed up? Half of an outline. The entire first half of the book is in outline form right now, and the best part is that I like it. It makes sense. And I have a general sense of what I want to happen in part two, so you know what? I'm going to outline that as well. Probably this weekend.

And you know what I'm going to do after I finish outlining? I'm going to write. Because it's the only way to keep my mind off the queries I have floating around in cyberspace. If TANGO doesn't get picked up by an agent, I'd like to have something else to send out, especially considering the fact I had a few agents ask to see other work. So! Time to get to it!

How do you guys outline?

Sunday, September 12, 2010

Trends

As both a reader and a writer, I tend to pay close attention to the genres and topics that are currently trending in publishing. It's important to know your competition if you're a writer, and I'm a firm believer that the more you read, the better writer you become. You don't want to be ignorant and begin querying your manuscript, only to find that it's exactly the same thing as HARRY POTTER or TWILIGHT or THE HUNGER GAMES. You have to have something different and unique to offer, which is really where keeping an eye on the market comes in handy.

Only, the problem with that is that books just now coming out were bought by publishers somewhere between one and two years ago. TWILIGHT was still in its prime, and so hopeful writers began writing books about vampires. Or maybe they already had, but began querying their project at a bad time for vampire stories.

So what do you do when your manuscript is a match for a current trend? You check to see how different it is. What makes your book different from a current NYT bestseller? If you can't really find a reason, you may want to try your hand at something else for a while. Because if your book is basically a retelling of TWILIGHT, the chances of it being picked up are pretty slim. Agents and editors need projects that haven't been seen yet. And if you're going to do vampires or werewolves, it needs to be something so freaking new and exciting that there's no way it could be compared to anything currently on the market. Vampires, especially, are too saturated at the moment. People are looking for something fresh, and as a writer, it's up to you to make sure they get it.

As an intern (I was lucky enough to be able to do it remotely while I'm back in Wisconsin), I'm getting to see the stories that might be on shelves in two years. And I have to tell you, I'm incredibly excited by what I've seen! While EPE sees its fair share of TWILIGHT knock-offs, I've also seen plenty of YA paranormals that had something new to offer. I've begun to see new trends developing, ones that I find infinitely more exciting than vampires. I'll be honest, I was on the vampire bandwagon for a while, and snatched up a good deal of them, but I burnt myself out. The more I read, the more I found that they were all, essentially, the same story. So to find that writers are starting to explore other things is really exciting to me! Here are just a few of the trends I've begun to see in the slush pile:

1. Reincarnation. While this isn't my favorite trend, I've had a few really good ones pass through my hands. I think writers need to be careful with this, just as much as with the vampire thing, because obviously your character is in the same boat as someone else's who has been reincarnated. Make sure your story is unique and imaginative, and you should be fine. All you want it to have in common with other books about reincarnation is just that: your character's been reincarnated. And that's where the similarities should end.

2. Angels and demons. Maybe HUSH, HUSH brought this on, but I'm enjoying this one. Some of the fallen angel stories can be a bit odd, but I grew up Catholic, so I can appreciate the story behind it all. And I really liked HUSH, HUSH, so I'm open to reading more on this.

3. Greek/Roman gods/goddesses who live in the modern world. I've seen a surprising amount of this. They're either trying to right some terrible wrong from way back when, or they're around just because they can't die. I've read one or two really great manuscripts that fall under this category, so I'm not complaining!

4. In women's fiction, I've noticed a lot of stories have a male MC who works for the FBI and is undercover. I didn't mind the first few, but lately I've begun to wonder why people don't try something else. I understand a man undercover can be a great catalyst for some kind of argument/betrayal, etc., but why couldn't the guy be in witness protection? Or just some lonely chef trying to remake his image? The FBI man is getting to be a bit cliche. Granted, that's just my opinion.

What trends are you particularly fond of these days?

Saturday, September 11, 2010

I Wish I Could Draw

While taking a break from an entirely-too-long Italian take-home exam, I stumbled across the cover of an upcoming MG book and fell in in love.



I think the artist in charge of this one did an incredible job. It makes me wish I were an artist.

Unfortunately, a two-year-old could draw better than me.

Thursday, September 2, 2010

Upcoming Releases

It has been a long ass time since I last updated, and I am sincerely sorry for the delay! With the end of summer came the end of my time in DC, along with three moves in the span of four days. So! Now that I'm back in Wisconsin (...) and school has started (...), life is slowly returning to normal. And because the new school year (my fifth, and my last, year of college) has started, I thought I'd do a post detailing some upcoming book releases I'm pretty excited about.

THE DUFF by Kody Keplinger
September 7th, 2010
From Goodreads:
Seventeen-year-old Bianca Piper is cynical and loyal, and she doesn't think she's the prettiest of her friends by a long shot. She's also way too smart to fall for the charms of man-slut and slimy school hottie Wesley Rush. In fact, Bianca hates him. And when he nicknames her "Duffy," she throws her Coke in his face.

But things aren't so great at home right now. Desperate for a distraction, Bianca ends up kissing Wesley. And likes it. Eager for escape, she throws herself into a closeted enemies-with-benefits relationship with Wesley.

Until it all goes horribly awry. It turns out that Wesley isn't such a bad listener, and his life is pretty screwed up, too. Suddenly Bianca realizes with absolute horror that she's falling for the guy she thought she hated more than anyone
.

My Thoughts:
There's been a lot of hype over this book, and all of it seems overwhelmingly positive. I know a few people who've read ARCs and loved it, so I'm excited to snag a copy for myself! Plus, a book about the (D)esignated (U)gly (F)at (F)riend sounds like it'll be awesome.

~

TORMENT by Lauren Kate
September 28th, 2010
From Goodreads:
How many lives do you need to live before you find someone worth dying for? In the aftermath of what happened at Sword & Cross, Luce has been hidden away by her cursed angelic boyfriend, Daniel, in a new school filled with Nephilim, the offspring of fallen angels and humans. Daniel promises she will be safe here, protected from those who would kill her. At the school Luce discovers what the Shadows that have followed her all her life mean - and how to manipulate them to see into her other lives. Yet the more Luce learns about herself, the more she realizes that the past is her only key to unlocking her future...and that Daniel hasn't told her everything. What if his version of the past isn't actually the way things happened...what if Luce was really meant to be with someone else?

My Thoughts:
While I found the first book fairly predictable, it had its redeeming qualities. I really enjoyed the setting, and the main character was incredibly likable. To be honest, I haven't read the last chapter of the first book, FALLEN, but I'm sure I'll get to it before this one comes out. Plus, come on. The cover is gorgeous.

~

CRESCENDO by Becca Fitzpatrick
October 19th, 2010
From Goodreads:
Nora should have know her life was far from perfect. Despite starting a relationship with her guardian angel, Patch (who, title aside, can be described anything but angelic), and surviving an attempt on her life, things are not looking up. Patch is starting to pull away and Nora can't figure out if it's for her best interest or if his interest has shifted to her arch-enemy Marcie Millar. Not to mention that Nora is haunted by images of her father and she becomes obsessed with finding out what really happened to him that night he left for Portland and never came home.

The farther Nora delves into the mystery of her father's death, the more she comes to question if her Nephilim blood line has something to do with it as well as why she seems to be in danger more than the average girl. Since Patch isn't answering her questions and seems to be standing in her way, she has to start finding the answers on her own. Relying too heavily on the fact that she has a guardian angel puts Nora at risk again and again. But can she really count on Patch or is he hiding secrets darker than she can even imagine?

My Thoughts:
I read the first book in the series, HUSH, HUSH, back in November, right when I returned from Ireland. I had nothing to do for months, so I got back into reading YA. I picked the first book up based on the cover, which I still think is gorgeous, and found that I actually really enjoyed the story. I'm excited to see if the second book is as good as the first.

~

THE MOCKINGBIRDS by Daisy Whitney
November 2nd, 2010
From Goodreads:
Some schools have honor codes.
Others have handbooks.
Themis Academy has the Mockingbirds.

Themis Academy is a quiet boarding school with an exceptional student body that the administration trusts to always behave the honorable way--the Themis Way. So when Alex is date raped during her junior year, she has two options: stay silent and hope someone helps her, or enlist the Mockingbirds--a secret society of students dedicated to righting the wrongs of their fellow peers.

In this honest, page-turning account of a teen girl's struggle to stand up for herself, debut author Daisy Whitney reminds readers that if you love something or someone--especially yourself--you fight for it.

My Thoughts: I really like contemporary YA, especially the more edgy/gritty stuff. So this one seems right up my alley.

~

THE WATER WARS by Cameron Stracher
January 1st, 2011
From Goodreads:
Vera and her brother Will live in the shadow of the Great Panic, in a country that has collapsed from environmental catastrophe. Water is hoarded by governments, rivers are dammed, and clouds are sucked from the sky. But then Vera befriends Kai, who seems to have limitless access to fresh water. When Kai suddenly disappears, Vera and Will set off on a dangerous journey in search of him-pursued by pirates, a paramilitary group, and greedy corporations. Timely and eerily familiar, acclaimed author Cameron Stracher makes a stunning YA debut that's impossible to forget.

My Thoughts: I religiously followed the voting for the book's cover, and am really impressed with the final selection. Plus it's another dystopian, so I'm a goner.

~

XVI by Julia Karr
January 6th, 2011
From Goodreads:
In the year 2150, being a girl isn’t necessarily a good thing, especially when your sixteenth (read sex-teenth) birthday is fast approaching. That in itself would be enough to make anyone more than a little nuts, what with the tattoo and all – but Nina Oberon’s life has taken a definite turn for the worse. Her mother is brutally stabbed and left for dead. Before dying, she entrusts a secret book to Nina, telling her to deliver it to Nina's father. But, first Nina has to find him; since for fifteen years he's been officially dead. Complications arise when she rescues Sal, a mysterious, and ultra hot guy. He seems to like Nina, but also seems to know more about her father than he’s letting on. Then there’s that murderous ex-government agent who’s stalking her, and just happens to be her little sister’s dad.

My Thoughts: I love futuristic dystopians. End of story.

~

THE DARK AND HOLLOW PLACES by Carrie Ryan
March 22nd, 2011
From Goodreads:
There are many things that Annah would like to forget: the look on her sister’s face when she and Elias left her behind in the Forest of Hands and Teeth, her first glimpse of the horde as they found their way to the Dark City, the sear of the barbed wire that would scar her for life. But most of all, Annah would like to forget the morning Elias left her for the Recruiters.

Annah’s world stopped that day and she’s been waiting for him to come home ever since. Without him, her life doesn’t feel much different from that of the dead that roam the wasted city around her. Then she meets Catcher and everything feels alive again.

Except, Catcher has his own secrets -- dark, terrifying truths that link him to a past Annah’s longed to forget, and to a future too deadly to consider. And now it’s up to Annah -- can she continue to live in a world drenched in the blood of the living? Or is death the only escape from the Return’s destruction?

My Thoughts:
I really enjoyed the first book in this series, THE FOREST OF HANDS AND TEETH. I have yet to pick up the second book, THE DEAD-TOSSED WAVES, but I definitely plan to do so before this third installment comes out. Also, another incredible cover. And Carrie Ryan is an incredible writer.

~

RIPPLE by fellow LTWF contributor, Mandy Hubbard
July 21st, 2011
From Goodreads:
Eighteen year old Lexi Wentworth is cursed. For as long as she can remember, she’s spent every night swimming. If she doesn’t, she’ll regret it—simply walking will be agony, as if she’s stepping on shattered glass. Her body craves the water, demands the water, until she can’t say no.

But it's not the swimming that troubles Lexi. It’s the singing that goes with it.When she turned sixteen, her siren song killed the only boy she's ever loved. Now, she avoids the popular shores of the Pacific in favor of a long forgotten lake up in the mountains, where she can swim and sing in peace, far from the population of her oceanside home.

Until, that is, Cole Mills discovers her lake. He’s new to Lincoln City High, and he doesn’t know about Lexi’s reputation as an ice queen—a reputation she’s carefully cultivated to keep everyone around her safe. He pushes her, talks to her, forces her to dream of what life could be like if she weren’t a siren.

Lexi can’t stop herself from warming to him, from falling for him. Soon, he’s demanding answers, following her to the lake, unknowingly risking his life. How can she keep him safe when the one thing she wants most--to hold him close-- will endanger his life?

My Thoughts: I've been hearing about it for so long that I get jittery whenever Mandy mentions it now. I think the idea behind it is fantastic, and I'm really excited to read something that isn't about angels or vampires or gods/goddesses.

~

What books are YOU looking forward to?

Thursday, July 29, 2010

An Excerpt From My Secret Project

I have a problem. It's a problem I know other writers have, too, which makes me feel less terrible about my habit, but still doesn't make my life any easier. I'm one of those people who always has to be working on multiple projects. I don't know if I just get bored with only one thing to write, or if I need to have something on the side I can work on when I'm stuck on the other. But that's life, and I've gotten used to it.

As you know, I posted an excerpt from SCARRED a few weeks ago, and now I'd like to share a little bit of my other project, my Secret Project. So here you go!

---

0

Life ends when I pull the trigger.

But that’s what I want, so I do.


1

It’s sunny today. Ironic, when I consider how the day’s going to end. A picture of us sits on my bedside table, and I stare at you, the way I do every morning. Your hair looks tangerine in the sun, and the ice cream sandwich in your hands forms a white river of molten sugar as it trickles down your arm. Mine isn’t faring much better. There’s barely any ice cream between the two cookies, but I don’t notice because I’m watching you with a wide grin on my face.


The picture was taken in July of 2002 – the summer you moved in next door. I remember how excited I was when Mom told me there was a kid my age moving into the old brick house, the one Mr. Buchard died in. Heart attack, they said. There hadn’t been kids in our neighborhood for years, and I thought you’d be a boy who’d want to watch spy movies with me, or play sports, or help me dig a hole to China. Turns out you were a girl, but at least you didn’t mind playing in the dirt all day. Since you had an older brother, you didn’t mind watching football with me, even though you liked soccer better. You even offered to be goalie. It was love at first sight.


My mom snapped the picture of the two of us during the annual neighborhood block party. We have one every summer, and even though half the neighborhood doesn’t get along, they all pretend to be friends for a day. While the dads talked football and drank Miller Lite, and the moms chatted about drapes and the latest community gossip, you and I sat on my trampoline eating ice cream. It was the day I told you I thought you were pretty. You thought I was lying and when I insisted that I was telling the truth, you ran away giggling. I remember the way your pigtails bounced as you skipped across the lawn, two spiral curls dangling from neon scrunchies like the icicles that sometimes hang from my house in winter. I’d never had a friend who was a girl before, so I had no idea boys my age weren’t supposed to say things like that. I was vaguely aware of cooties, but it was only a periphery concern. For about half an hour you acted as if I were the plague, but eventually got too bored with the adults and came running back.


My fingers curl around the edge of the frame as I pull it closer. I want to stay lost in the memory forever, but I can hear someone coming up the stairs. The sound of Mom rapping on the door makes me flinch. “Jordan, get up!” Her nasally voice booms, causing the dogs downstairs to start barking. I wish we’d just gotten a cat.


“Fuck off,” I grumble, shoving my face into the pillow. It smells of cigarettes and stale bread. I flick a few crumbs onto the floor.


“Fuck you. You’re going to be late.”


And I don’t want to be late today, so I tear my eyes away from the photo and force myself out of bed. I’ll be seeing you soon enough. I stumble down the hallway, my feet barely avoiding tripping over one of the dogs. Buster looks up at me and growls, the sound rumbling in the back of his throat. He’s never liked me. Before he can start nipping at my ankles, I duck into the bathroom and slam the door.


“Fucking dog,” I grumble, yanking my shirt over my head. My hand fumbles for the faucet and I jump in the shower, water pounding against my back as steam billows up around me. I realize this is probably the last time I’ll see the inside of this bathroom, and take a few extra moments to savor the salmon tile and dingy walls. It’s ugly, but it’s home.


Mom bangs on the door after a while and claims she needs the bathroom. I know she’s just trying to rush me, so I stay where I am, hunched against the steady stream of water. My fingers and toes already look like prunes, but the heady scent of body wash and the curling tendrils of steam has me closing my eyes, leaning against the tile as my mind wanders.


2

I watch as your back disappears into the crowd. You glance back at me, just once, to see if I’m following, but I’m still on the trampoline, a soggy dessert crushed between my fingers.


Flinging it away from me, it lands somewhere in the grass nearby. Mom sees and shoots me a disapproving look before turning back to the pudgy woman in lime green pants and Hawaiian top. She looks like the wallpaper in my grandma’s living room, the stuff that always gives me a headache. They’re both waving their hands as they speak, and I wonder what’s got them so riled up. Taxes, maybe, or the new neighborhood watch program. We started it a few months ago, after one of the houses was vandalized by a group of rambunctious teenagers. Everyone woke up one morning to see a naked lady spray painted on Mrs. Wayland’s garage door. Mom covered my eyes for a week, whenever we’d drive past.


“Disgusting,” she’d mutter, her nails digging into my skin. “You’d better not turn out like those miserable hooligans.” She’d wave a warning finger in my face as we pulled out of the neighborhood, and I’d just nod. I’d never seen a naked woman before, and while I doubted my talents with a can of spray paint, I was intrigued by the graffiti nonetheless.


I watch Mom’s arms swing around in circles, her fingers pointed at Hawaiian Shirt Lady like a gun. I decide the neighborhood watch program is probably correct, and wonder when I’ll get to help guard the people on my block. Dad said when I’m older, but whenever I ask him how old, he never gives me a solid answer. The way I see it, I should get to patrol with the adults now, since Dad’s usually away on business. When he’s not, he’s out patrolling with the other parents. That’s what he tells my mom, anyway; I know it’s a lie because I saw him sitting in Mr. Bailey’s garage drinking beer.


I blow out a sigh and lick away the sticky residue on my fingers. The party’s in full swing, and I can’t see you anymore. You’ve completely disappeared. I think about going after you, so I don’t have to spend the next few hours by myself, but eventually you come back. Grownups are boring, you say, and hand me a granola bar obviously stolen from my pantry.


There’s a long, awkward silence that fills the space between us. It’s never been there before, and I don’t know where it came from. Maybe because I said you were pretty. But why would that matter? I’ve been taught to always tell the truth, and you look nice. Your mom curled your hair, and I like the pink and white checkered dress you’re wearing. I can tell you hate it, and would rather be in shorts, but I think it looks nice anyway. Mom’s always saying girls should wear dresses more often. I agree.


“I’m so itchy.” You tug at the dress’s frilly sleeves, your lips turned down in an exaggerated pout. “I wish I were a boy.”


“No you don’t,” I say, wiping my hands on my khakis. “Mom’s always yelling at me to clean up after her, and Dad tells me I need to be more like him. I’m supposed to be the man of the house when he’s gone.”


“That can’t be that hard. You’re already a boy. What else are you supposed to do?”


“Take care of my mom. But whenever I try, she tells me to leave her alone, and when I don’t try, she yells at me to try harder.” I shrug. “I bet your parents don’t yell at you.” Mr. and Mrs. Monroe are the nicest people I know. I wish I had parents like yours. Whenever I go over to your house, your mom bakes cookies and gives me one right when they come out of the oven. My mom’s definition of cooking is heating up a TV dinner.


“They yell at me when I don’t clean up my room,” you say, and shove the toe of your sneaker into the dirt. “I hate cleaning.”


I hate cleaning too, but I don’t say anything. I’m not sure what to say, now that you keep looking at me funny. Like I’m a perfect stranger, and not the kid you’ve been playing with for the last few weeks. Maybe ten-year-olds aren’t supposed to tell girls they’re pretty; most of the kids in our grade still believe in cooties and Jordan-germs-no-returns. Do you think I have germs? Is that why you won’t sit next to me now?


“I don’t have cooties,” I blurt. I can’t lose my one friend on the block, who has parents kids would kill for, and the prettiest smile I’ve ever seen.


You finally look up at me, but I can’t read your expression. You don’t look angry or disgusted, but you aren’t smiling either, and I hate it when you’re not smiling, since it’s a pretty rare occurrence. I don’t think I know anyone happier than you, and I want to be friends with the girl who’s never sad. I want to be just like her, but the way my life is, I think I frown a lot more than I smile. I only smile when I’m around you.


“I don’t think you have cooties.” You take a step closer to prove it, and then another, until you’re standing right in front of me. I’m still sitting on the trampoline, and you’re standing between my legs, and I can feel the itchy tool of your dress as it tickles the back of my shins. You reach up and ruffle my hair, and I catch the way the corners of your mouth turn up, and the way your cheeks glow ruby red. “I actually kind of like you.”


Magical words to a quiet, sullen kid like me. I can feel my smile straining against the boundaries of my face, and when you rise up on your tiptoes and kiss my cheek, I realize I can’t feel my body. It’s like I’m floating. I can’t remember the last time my mom kissed me goodnight, and am mesmerized by the way your lips feel on my skin. They’re not silk, like I imagined, but kind of rough. I can feel the scab you got when you ran into the tree last week, but somehow the texture of your lips is more endearing than the softness of a mother’s ever could be.


When you pull back, your face is red, but you’re grinning. I think I’m still smiling; I can’t tell because my face has gone numb.


“I’ll see you tomorrow,” you say, and before I know it, you’re gone.


3

I haven’t seen you since the barbecue. I’ve considered hopping the low stone wall separating our yards to see if you want to play, but every time I decide it’s a good idea, I change my mind a second later.


Today, however, I am so bored out of my mind that I can’t take it another minute. I have played video games, tried to read a book, and even played a game of Chinese Checkers with myself. I’ve exhausted every option, and you’re all I’ve got left.


“I’m going over to Laura’s,” I call to an empty house, and grab my football from the hall closet. You’re sitting on my curb when I open the door, scabby legs and holey tennis shoes stretched out in front of you. I can’t help but grin, and after a moment’s hesitation, your lips part in a smile. I notice you’ve lost a tooth. You ask if I want to play a new game today, and I say sure. I leave the football on the front step and follow you into the woods behind your house.


“It’s called spin the bottle,” you tell me, and I learn pretty quickly that playing with two people is infinitely better than playing with a group.


We play all afternoon.


Saturday, July 24, 2010

Contest Winner!

I woke up this morning to an email telling me I'd won a contest over at the BookEnds blog, which was incredibly exciting! I'll be getting a copy of Gina Robinson's Spy Games. Here's the description, in case anyone else might be interested in snagging a copy:

Spy Games offers hope, encouragement, and the possibility of empowerment to women, especially those coming from abusive or unhappy relationships. Not all handsome men are controlling, wacko stalkers. You can find one of the good guys—the hot hero who will defend and protect you against violent ex-boyfriends, power-hungry Hollywood producers, mafia bosses, and overzealous jewelry salesgirls. His love and loyalty may even make you want to go deep undercover.

I'll be sure to post a review once I'm back in Wisconsin, and have the book in my hands. (I'm having to ship everything back home because there's no way my suitcases are going to close with all the books and crap I've picked up this summer.)

Coincidentally, we also have a contest winner HERE today! Congrats to my 53rd follower, Lipsmacked! You can email me at samanthabina@gmail.com. I need to know what your reading tastes are, and if you've read any of the books on this list. I'll send you a surprise book at the end of August, once I'm back home and can actually get to a post office!

Monday, July 19, 2010

Linkage and Things

Today is all about Linkage and Things, which is similar to Linen and Things, but infinitely better. As in, I share with you some amusing links, both publishing and non-publishing related. No matter what you click on, you know it'll be goooood.

SlushPile Hell: If you haven't already peed yourself over the massive amount of query fails this agent shares with the world, you clearly are missing out.

Hyperbole and a Half: It's in my sidebar, but I'm putting it here too because it's just too awesome for words. Another pee-your-pants-worthy blog. Particular favorites would be "Dog," "This is Why I'll Never be an Adult" and "A Better Pain Rating Scale," but everything is equally hilarious.

The Rejectionist: More lol-worthy fails in the world of publishing. Amongst other things.

Passive Aggressive Notes: You know those annoying notes your roommate leaves you when you forget to put the dishes away? These are way better.

Improv Everywhere: This makes me so happy I'll be moving to NYC in a year. I need to see Darth Vader on the subway.

Nathan Bransford's Blog: He's just really witty and I kind of want to be him.

Sunday, July 11, 2010

MadLib

Remember the days of your childhood where long car rides were spent doing madlibs? Well, Simmy and I found an empty madlib book, and I'm here to present one to you now.

How To Make a Fire Without Matches

Every good Boy Scout lives by the motto "Be blue" and learns basic nacheleing skills, like how to make a fire without matches. It's not quite as sexy as it looks in those cartoons of cavemen lovingly rubbing two cows together. First, you'll need to fashion what looks like a bow out of a curved Iker Casillas about 9 feet long and a piece of Sergio Ramos; a shoelace will work in a pinch. Next, wrap the bow around a dishwashing liquid that fits into a notch on a wooden lion. Swimmingly move your foot back and forth to make the bow run. Soon, you should see a hot pink ember emerging. Move the ember to the small bread-shaped pile of dried vitamixers, called a "nest" because of its resemblance to a panther's nest. Once the nest catches fire, you can begin adding forks and other kindling. In no time, you'll be roasting cauliflower and singing camp songs around your shocking fire.

In other news, my Secret Project is coming along nicely! I'm not giving out ANY information yet, because I don't want to jinx it. But I think this one is It. The next It, anyway; TANGO is still being looked at by agents while I work on these new pieces.

Also, congrats to Spain for winning the World Cup, and congrats to my wonderful Germans (mainly Ozil) for getting third place! I'm not sure what to do with myself for the next four years.

Thursday, July 1, 2010

Book Recommendation: Living Dead Girl

I've been meaning to post book reviews on here; however, most of what I've read lately has been for work. And I can't talk about those projects here. I can, however, talk about already published books! I succumbed to the e-reader fad and bought a nook this week, and naturally I couldn't leave it empty for more than an hour. I'd been meaning to pick up this book for ages, and I can happily say it was one of the best decisions I've ever made.











LIVING DEAD GIRL, by Elizabeth Scott
Published September 2nd, 2008 by Simon Pulse
170 Pages


From Amazon.com:
Fans of Scott's YA romances PERFECT YOU or BLOOM may be unprepared for the unrelieved terror within this chilling novel, about a 15-year-old girl who as spent the last five years being abused by a kidnapper named Ray and is kept powerless by Ray's promise to harm her family if she makes one false move. The Narrator knows she is the second of the girls Ray has abducted and renamed Alice; Ray killed the first when she outgrew her childlike body at 15, and now Alice half-hopes her own demise is approaching ('I think of the knife in the kitchen, or the bridges I've seen from the bus... but the thing about hearts is that they always keep beating'). Ray, however, has an even more sinister plan: he orders Alice to find a new girl, then train her to Ray's tastes.
Scott's prose is spare and damning, relying on suggestive details and their impact on Alice to convey the unimaginable violence she repeatedly experiences. Disturbing but fascinating, the book exerts an inescapable grip on readers - like Alice, they have virtually no choice but to continue until the conclusion sets them free. 
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There's something intrinsically haunting and beautiful about this book. Alice's voice is bitter, broken, devastating, and cuts through you as you read. You can feel her pain. Her fear is palpable. She's someone you want to save, right from the very beginning. Every time Ray laid a hand on her, I cringed. My skin crawled. I think I might have gasped on the subway, prompting odd looks from people. It's a book you find yourself sinking into, deeper and deeper until you're lost within it. You're lost within Alice's mind, and by the time you finish the book, all you can do is sit for a few moments and just be.

Be thankful you are free.

As Amazon's summary says, the prose is sparse, which leaves the reader to imagine a lot of things. Sometimes, what you don't see is worse than what you do. A line as simple as "he touched me" had me envisioning all sorts of horrific things, and made me even angrier with Ray. Which I didn't think was possible. But my hate for him grew as the story went on, until by the end, I wished I could get rid of him myself. I felt as though he was a real person. And in a way, he is. There are Rays all over the world, living their sordid lives undetected. And the thought of that makes me sick, and makes me hate this Ray even more. I think it's a sign of superb writing when you can make a reader feel that strongly about a character you only see for the length of one book. Even after I finished, I couldn't get him out of my head.

The same goes for Alice. I can't stop thinking about her. This book isn't just a story, it's someone's story. It's not just Alice's. Somewhere out there, there's a girl just like her, and what happened in the story is happening to her. The way Elizabeth Scott wrote the book really makes you think. And you realize that while this piece is fiction, for some little kid out there, it isn't. And that added knowledge that sits in the back of your mind, festering while you read, gives the story an added weight you don't find in other novels.

Besides the story itself, the writing is incredible. The tiny details Alice notices stick with you. The way things are described are not your standard combination of adjectives, but the phrases are so beautiful and evocative that you know exactly what the words mean. A flower isn’t just a flower. Silence isn’t just silence. There’s always something more behind it. Alice’s thoughts flow from one to the next with ease, and you really get the sense that this damaged, vulnerable, ruined girl is talking to you. I cried while reading it because I felt so connected to what was going on within the story. And though I won't give away the ending, I can't decide whether my tears at the end were happy or sad. Maybe a mixture of both.

There really are no limits to what can be written about, but I especially applaud people like Elizabeth Scott, who tackle subjects like this one. Lucy Christopher did it, too, with her book, STOLEN. People always ask things like, "Why didn't they try to escape?" "Why didn't they fight back?" But how could you possibly understand if you haven't been in the situation? I feel as though this particular piece really answers that question. Or at least offers one possibility.

If I had to rate the book, I’d give it a 10 out of 10. Without blinking an eye. I said at the beginning that the story is haunting, and it will stay with you, even after you’re done. My only regret is that I didn’t buy it in paperback. I’ll have to do that, because this is one book I want to proudly display on my shelf.

For those of you who are into the gritty, realistic side of YA, you’ll definitely want to pick up a copy. And even if you aren’t, you probably should. You won’t regret it.

Also, for anyone who's read the book, I want to hear your take on the ending!