A note: Originally this was supposed to be a historical piece set during WWII, so there are some inconsistencies with setting. You can just ignore that for now :-p
Tuesday, October 5, 2010
Teaser Tuesday
A note: Originally this was supposed to be a historical piece set during WWII, so there are some inconsistencies with setting. You can just ignore that for now :-p
Monday, October 4, 2010
Odds and Ends
Because school's been keeping me so busy (220-something days until I graduate and am done with school forever!), I haven't had much time to write. However, you should probably know that I've completed my outline for SILENCE, and am about 15k into OBSESSION. Which reminds me that I should probably update the word counts in my sidebar.
But anyway.
I'm also waiting to hear back on a copy editing job I applied for. I suspect I'll get an answer this week, so my fingers are crossed.
In terms of reading, I've got an ever-growing TBR pile. I started INCARCERON last night. I have one chapter left in Lauren Kate's FALLEN, but I could probably tell you how it ends without reading it. So maybe I won't. I've also read the opening chapters of GIRL IN THE ARENA and BEAUTIFUL CREATURES. And am 250 pages into THE PASSAGE by Justin Cronin. So, as you can see, I'm as ADD about what I read as I am about writing. At this rate, I'll start every book on my list, but never finish any of them.
I promise I'll update with something substantial soon.
Thursday, September 23, 2010
Speak Loudly
Though I have yet to read SPEAK, it is in my TBR pile (and I promise to write a review once I actually get to it). But for those of you not familiar with the story, here's a summary from Amazon:
In a stunning first novel, Anderson uses keen observations and vivid imagery to pull readers into the head of an isolated teenager. Divided into the four marking periods of an academic year, the novel, narrated by Melinda Sordino, begins on her first day as a high school freshman. No one will sit with Melinda on the bus. After school, students call her names and harass her; her best friends from junior high scatter to different cliques and abandon her. Yet Anderson infuses the narrative with a wit that sustains the heroine through her pain and holds readers' empathy. A girl at a school pep rally offers an explanation of the heroine's pariah status when she confronts Melinda about calling the police on a summer party, resulting in several arrests. But readers so not learn why Melinda made the call until much later: a popular senior raped her that night and, because of her trauma, she barely speaks at all. Only through her work in art class, and with the support of a compassionate teacher there, does she begin to reach out to others and eventually find her voice. Through the first-person narration, the author makes Melinda's pain palpable: "I stand in the center aisle of the auditorium, a wounded zebra in a National Geographic special." Though the symbolism is sometimes heavy-handed, it is effective. The ending, in which the attacker comes after her once more, is the only part of the plot that feels forced. But the book's overall gritty realism and Melinda's hard-won metamorphosis will leave readers touched and inspired.
Other books that come to mind when we're talking about the gritty realism teens face are Lucy Christopher's STOLEN (one of my all-time favorite books), and Elizabeth Scott's LIVING DEAD GIRL (which I actually wrote a review of). Stockholm Syndrome, kidnapping, child abuse, etc. are all things that are common in our society, but are rarely written about. I fully support those authors who take the time to bring up these topics and try to get kids talking. For all you know, the girl sitting next to you in class may be a rape victim who finds comfort in a book like SPEAK. The fact that authors are writing about things teenagers encounter and suffer is important. Bad things happen to people all the time, and we're not helping them by sweeping it under the rug.
I speak from experience.
For those of you who are not aware, I spent two months last year living in Galway, Ireland. It was for a study abroad program, and I was supposed to have spent four months there. However, after being sexually assaulted outside a bar, I found myself too afraid to remain in the city. I'd lost all of my confidence, and I didn't feel safe. I still remember how terrified I was that night. I locked myself in the bathroom and cried for over an hour, then managed to get in contact with my best friend back in the US. And while she helped to calm me down, I don't think I ever got over it. No, I wasn't raped, but I could have been if the guy hadn't been so drunk. But he left marks that didn't fade for a few days. Sometimes I'll look down at my arms and still see the bruises.
A year later, I've regained a lot of my confidence. I haven't lost faith in people, but I'm certainly more careful. I still prefer to stay away from bars when going out, and I make sure to take my guys with me when I do. I'm vigilant in making sure my girl friends are all safe. 1 in 6 women will be sexually assaulted in their lifetime, and I'm trying to make sure none of my friends have to go through what I did. It was the most terrifying few minutes of my life, and I can recall them now with perfect accuracy. Things like that don't fade. They stay with you, but I'm trying to use those feelings as motivation, rather than a hindrance.
But for those women and men we can't save, it's important that books like SPEAK be available. I've found comfort in the strength some of these characters have. It reminds me that I'm not alone.
And that is why I Speak Loudly.
Sunday, September 19, 2010
SILENCE Soundtrack
Saturday, September 18, 2010
Overhaulin'
I think the most useful thing for you guys will be the 'writerly resources' page, where I've begun to list useful people to follow on twitter, blogs you should check out, and articles I've found really useful. I'll constantly be adding to it, so keep checking back!
Also, I've added a page for book reviews. Right now it looks pretty empty, but I have a few reviews I need to import from my other journal, and have plenty of books I'd like to write reviews for. So that will grow exponentially as well.
If you have any ideas for things you'd like to see on the blog, leave a comment! I'm open to suggestions!
Book Recommendation: Hush, Hush
DEBUT
From Goodreads:
Though I actually read HUSH, HUSH back in November of 2009, I thought now might be a good time to post a proper review since the sequel, CRESCENDO, is coming out October 19th. And I definitely plan to pick up a copy as soon as I can. From what I've heard, the series is supposed to be a trilogy, so at least I'll get the satisfaction of two more books before I have to find something to fill the void.
I have to be honest, the thing that drew me to this book was the cover. It's absolutely gorgeous, and every time I passed it in Barnes & Noble, I kept thinking how pretty it would look on my book shelf. I know they say not to judge a book by its cover, but I do anyway (I used to be an art history major; it's in my nature to judge covers). I won't lie when I say I was wary of picking up this book, because the summary on the jacket made it sound like a TWILIGHT rip-off, and I really wasn't in the mood for a cliche YA romance about something supernatural. But the first few pages seemed all right, so I could only hope that Becca Fitzpatrick knew what she was talking about.
Luckily, she did, and I wasn't disappointed. Truthfully, I enjoyed the book a lot. This is evidenced by the fact that I stayed up until 5am to finish it, since I was utterly unable to put it down. The book is fast-paced, interesting, and while not entirely new in terms of ideas (angels and demons are on the rise in YA, and I've seen a lot come through the slush pile), was different enough to keep me reading. The characters were likable, whether they were bad guys or good, and I really enjoyed the converging storylines at the end. There was mystery, which was a pleasant and unexpected surprise. Usually the mystery element in a YA novel is pretty easy to guess, but I was left completely clueless until the true antagonist was revealed at the end of the novel (and when the answer was given away, I did a major *facepalm*). It's a rare thing to be surprised by a book anymore, and maybe I was rendered slightly stupid by the fact it was so late when I got to the end, but it was a nice change to think that an author had done something not entirely predictable. I really appreciated the originality in that.
The writing, too, was solid. Sure, there were a few cheese-tastic lines, but I found myself laughing along with the characters at times, and certainly smiled at others. The characterization was spot-on, and while some of the things were rather cliche (location of the final show-down, anyone?), I didn't have any trouble believing their motivations.
Like I said, overall, I really enjoyed the book. Definitely recommended, and definitely (much) better than TWILIGHT. If you liked TWILIGHT, I'd say give this a shot, and if you've been enjoying the whole upsurge of vampire/werewolf/supernatural stuff, you'll be happy you bought this. Despite any qualms I may have had, I'm proud to have HUSH, HUSH on my bookshelf.
Thursday, September 16, 2010
Outlining
And that method worked.
For a while.
These days, I'm slowly starting to rethink the way I write. Maybe it was writing a thesis that instigated the change, or talking to other writers who always outlined first. Maybe I just realized that my old way of doing things was no longer working for me. Whatever the reason, something changed.
Though I'd tried to outline stories before (we're talking back in middle school and high school), I'd never get further than chapter three. I'd come up with a sufficient beginning; I'd let the rest of the chips fall where they may. So, during college, I gave up trying to outline altogether. I said "fuck it," and just wrote whatever came to mind. And that produced a few manuscripts, though I don't think I'd ever hand them over to an agent. They're drawer manuscripts, as my thesis advisor called them; they were practice runs, not a book I'd want to see on a shelf (Okay, maybe DON'T MAKE A SCENE. But only if I edited the crap out of it.). And I was okay with that.
Then last semester happened. Thesis semester. And while I'd written a good chunk of THE AGE OF NEVER GROWING OLD during NaNoWriMo, I had a third to write, and then a whole lot of revisions ahead of me. So I tried something new: I outlined the story after I'd finished it. Which may sound weird, but hear me out. Outlining after the fact turned out to be really helpful. I was able to see where I'd placed all of the rising actions, where things fell flat, where I could use some more character development, etc. And everything was already written, so I had material to work with when I began editing. So for that project, outlining after I'd finished turned out to be a great idea. And it was the first time I'd successfully outlined anything from beginning to end.
Since finishing my thesis, I haven't been able to stick to any one project. I have writing OCD (I swear this should be a legitimate, diagnosable, disease). I tried to outline a few of my projects before I began writing, but that failed. I then tried to outline as I wrote, and that failed, too. No surprises there. I was getting frustrated. I had one book book being queried, four finished books twiddling their thumbs on my hard drive, and a million ideas floating through my head. I wrote nearly 25k on one project, but as of today, haven't worked on it in nearly two months.
So what's a girl to do?
Last night I needed a break from an endless pile of homework, and decided to look over something I'd written last weekend - the first chapter of a book entitled SILENCE. I'd meant for it to be a WWII young adult romance, but after thinking it over, decided it could work just as well as a futuristic dystopian. So I turned to Microsoft Word, opened a new document, and began typing. And you know what I typed up? Half of an outline. The entire first half of the book is in outline form right now, and the best part is that I like it. It makes sense. And I have a general sense of what I want to happen in part two, so you know what? I'm going to outline that as well. Probably this weekend.
And you know what I'm going to do after I finish outlining? I'm going to write. Because it's the only way to keep my mind off the queries I have floating around in cyberspace. If TANGO doesn't get picked up by an agent, I'd like to have something else to send out, especially considering the fact I had a few agents ask to see other work. So! Time to get to it!
Sunday, September 12, 2010
Trends
Saturday, September 11, 2010
I Wish I Could Draw

Thursday, September 2, 2010
Upcoming Releases
But things aren't so great at home right now. Desperate for a distraction, Bianca ends up kissing Wesley. And likes it. Eager for escape, she throws herself into a closeted enemies-with-benefits relationship with Wesley.
Until it all goes horribly awry. It turns out that Wesley isn't such a bad listener, and his life is pretty screwed up, too. Suddenly Bianca realizes with absolute horror that she's falling for the guy she thought she hated more than anyone.
The farther Nora delves into the mystery of her father's death, the more she comes to question if her Nephilim blood line has something to do with it as well as why she seems to be in danger more than the average girl. Since Patch isn't answering her questions and seems to be standing in her way, she has to start finding the answers on her own. Relying too heavily on the fact that she has a guardian angel puts Nora at risk again and again. But can she really count on Patch or is he hiding secrets darker than she can even imagine?
Others have handbooks.
Themis Academy has the Mockingbirds.
Themis Academy is a quiet boarding school with an exceptional student body that the administration trusts to always behave the honorable way--the Themis Way. So when Alex is date raped during her junior year, she has two options: stay silent and hope someone helps her, or enlist the Mockingbirds--a secret society of students dedicated to righting the wrongs of their fellow peers.
In this honest, page-turning account of a teen girl's struggle to stand up for herself, debut author Daisy Whitney reminds readers that if you love something or someone--especially yourself--you fight for it.
Annah’s world stopped that day and she’s been waiting for him to come home ever since. Without him, her life doesn’t feel much different from that of the dead that roam the wasted city around her. Then she meets Catcher and everything feels alive again.
Except, Catcher has his own secrets -- dark, terrifying truths that link him to a past Annah’s longed to forget, and to a future too deadly to consider. And now it’s up to Annah -- can she continue to live in a world drenched in the blood of the living? Or is death the only escape from the Return’s destruction?
But it's not the swimming that troubles Lexi. It’s the singing that goes with it.When she turned sixteen, her siren song killed the only boy she's ever loved. Now, she avoids the popular shores of the Pacific in favor of a long forgotten lake up in the mountains, where she can swim and sing in peace, far from the population of her oceanside home.
Until, that is, Cole Mills discovers her lake. He’s new to Lincoln City High, and he doesn’t know about Lexi’s reputation as an ice queen—a reputation she’s carefully cultivated to keep everyone around her safe. He pushes her, talks to her, forces her to dream of what life could be like if she weren’t a siren.
Lexi can’t stop herself from warming to him, from falling for him. Soon, he’s demanding answers, following her to the lake, unknowingly risking his life. How can she keep him safe when the one thing she wants most--to hold him close-- will endanger his life?
Thursday, July 29, 2010
An Excerpt From My Secret Project
0
Life ends when I pull the trigger.
But that’s what I want, so I do.
1
It’s sunny today. Ironic, when I consider how the day’s going to end. A picture of us sits on my bedside table, and I stare at you, the way I do every morning. Your hair looks tangerine in the sun, and the ice cream sandwich in your hands forms a white river of molten sugar as it trickles down your arm. Mine isn’t faring much better. There’s barely any ice cream between the two cookies, but I don’t notice because I’m watching you with a wide grin on my face.
The picture was taken in July of 2002 – the summer you moved in next door. I remember how excited I was when Mom told me there was a kid my age moving into the old brick house, the one Mr. Buchard died in. Heart attack, they said. There hadn’t been kids in our neighborhood for years, and I thought you’d be a boy who’d want to watch spy movies with me, or play sports, or help me dig a hole to China. Turns out you were a girl, but at least you didn’t mind playing in the dirt all day. Since you had an older brother, you didn’t mind watching football with me, even though you liked soccer better. You even offered to be goalie. It was love at first sight.
My mom snapped the picture of the two of us during the annual neighborhood block party. We have one every summer, and even though half the neighborhood doesn’t get along, they all pretend to be friends for a day. While the dads talked football and drank Miller Lite, and the moms chatted about drapes and the latest community gossip, you and I sat on my trampoline eating ice cream. It was the day I told you I thought you were pretty. You thought I was lying and when I insisted that I was telling the truth, you ran away giggling. I remember the way your pigtails bounced as you skipped across the lawn, two spiral curls dangling from neon scrunchies like the icicles that sometimes hang from my house in winter. I’d never had a friend who was a girl before, so I had no idea boys my age weren’t supposed to say things like that. I was vaguely aware of cooties, but it was only a periphery concern. For about half an hour you acted as if I were the plague, but eventually got too bored with the adults and came running back.
My fingers curl around the edge of the frame as I pull it closer. I want to stay lost in the memory forever, but I can hear someone coming up the stairs. The sound of Mom rapping on the door makes me flinch. “Jordan, get up!” Her nasally voice booms, causing the dogs downstairs to start barking. I wish we’d just gotten a cat.
“Fuck off,” I grumble, shoving my face into the pillow. It smells of cigarettes and stale bread. I flick a few crumbs onto the floor.
“Fuck you. You’re going to be late.”
And I don’t want to be late today, so I tear my eyes away from the photo and force myself out of bed. I’ll be seeing you soon enough. I stumble down the hallway, my feet barely avoiding tripping over one of the dogs. Buster looks up at me and growls, the sound rumbling in the back of his throat. He’s never liked me. Before he can start nipping at my ankles, I duck into the bathroom and slam the door.
“Fucking dog,” I grumble, yanking my shirt over my head. My hand fumbles for the faucet and I jump in the shower, water pounding against my back as steam billows up around me. I realize this is probably the last time I’ll see the inside of this bathroom, and take a few extra moments to savor the salmon tile and dingy walls. It’s ugly, but it’s home.
Mom bangs on the door after a while and claims she needs the bathroom. I know she’s just trying to rush me, so I stay where I am, hunched against the steady stream of water. My fingers and toes already look like prunes, but the heady scent of body wash and the curling tendrils of steam has me closing my eyes, leaning against the tile as my mind wanders.
2
I watch as your back disappears into the crowd. You glance back at me, just once, to see if I’m following, but I’m still on the trampoline, a soggy dessert crushed between my fingers.
Flinging it away from me, it lands somewhere in the grass nearby. Mom sees and shoots me a disapproving look before turning back to the pudgy woman in lime green pants and Hawaiian top. She looks like the wallpaper in my grandma’s living room, the stuff that always gives me a headache. They’re both waving their hands as they speak, and I wonder what’s got them so riled up. Taxes, maybe, or the new neighborhood watch program. We started it a few months ago, after one of the houses was vandalized by a group of rambunctious teenagers. Everyone woke up one morning to see a naked lady spray painted on Mrs. Wayland’s garage door. Mom covered my eyes for a week, whenever we’d drive past.
“Disgusting,” she’d mutter, her nails digging into my skin. “You’d better not turn out like those miserable hooligans.” She’d wave a warning finger in my face as we pulled out of the neighborhood, and I’d just nod. I’d never seen a naked woman before, and while I doubted my talents with a can of spray paint, I was intrigued by the graffiti nonetheless.
I watch Mom’s arms swing around in circles, her fingers pointed at Hawaiian Shirt Lady like a gun. I decide the neighborhood watch program is probably correct, and wonder when I’ll get to help guard the people on my block. Dad said when I’m older, but whenever I ask him how old, he never gives me a solid answer. The way I see it, I should get to patrol with the adults now, since Dad’s usually away on business. When he’s not, he’s out patrolling with the other parents. That’s what he tells my mom, anyway; I know it’s a lie because I saw him sitting in Mr. Bailey’s garage drinking beer.
I blow out a sigh and lick away the sticky residue on my fingers. The party’s in full swing, and I can’t see you anymore. You’ve completely disappeared. I think about going after you, so I don’t have to spend the next few hours by myself, but eventually you come back. Grownups are boring, you say, and hand me a granola bar obviously stolen from my pantry.
There’s a long, awkward silence that fills the space between us. It’s never been there before, and I don’t know where it came from. Maybe because I said you were pretty. But why would that matter? I’ve been taught to always tell the truth, and you look nice. Your mom curled your hair, and I like the pink and white checkered dress you’re wearing. I can tell you hate it, and would rather be in shorts, but I think it looks nice anyway. Mom’s always saying girls should wear dresses more often. I agree.
“I’m so itchy.” You tug at the dress’s frilly sleeves, your lips turned down in an exaggerated pout. “I wish I were a boy.”
“No you don’t,” I say, wiping my hands on my khakis. “Mom’s always yelling at me to clean up after her, and Dad tells me I need to be more like him. I’m supposed to be the man of the house when he’s gone.”
“That can’t be that hard. You’re already a boy. What else are you supposed to do?”
“Take care of my mom. But whenever I try, she tells me to leave her alone, and when I don’t try, she yells at me to try harder.” I shrug. “I bet your parents don’t yell at you.” Mr. and Mrs. Monroe are the nicest people I know. I wish I had parents like yours. Whenever I go over to your house, your mom bakes cookies and gives me one right when they come out of the oven. My mom’s definition of cooking is heating up a TV dinner.
“They yell at me when I don’t clean up my room,” you say, and shove the toe of your sneaker into the dirt. “I hate cleaning.”
I hate cleaning too, but I don’t say anything. I’m not sure what to say, now that you keep looking at me funny. Like I’m a perfect stranger, and not the kid you’ve been playing with for the last few weeks. Maybe ten-year-olds aren’t supposed to tell girls they’re pretty; most of the kids in our grade still believe in cooties and Jordan-germs-no-returns. Do you think I have germs? Is that why you won’t sit next to me now?
“I don’t have cooties,” I blurt. I can’t lose my one friend on the block, who has parents kids would kill for, and the prettiest smile I’ve ever seen.
You finally look up at me, but I can’t read your expression. You don’t look angry or disgusted, but you aren’t smiling either, and I hate it when you’re not smiling, since it’s a pretty rare occurrence. I don’t think I know anyone happier than you, and I want to be friends with the girl who’s never sad. I want to be just like her, but the way my life is, I think I frown a lot more than I smile. I only smile when I’m around you.
“I don’t think you have cooties.” You take a step closer to prove it, and then another, until you’re standing right in front of me. I’m still sitting on the trampoline, and you’re standing between my legs, and I can feel the itchy tool of your dress as it tickles the back of my shins. You reach up and ruffle my hair, and I catch the way the corners of your mouth turn up, and the way your cheeks glow ruby red. “I actually kind of like you.”
Magical words to a quiet, sullen kid like me. I can feel my smile straining against the boundaries of my face, and when you rise up on your tiptoes and kiss my cheek, I realize I can’t feel my body. It’s like I’m floating. I can’t remember the last time my mom kissed me goodnight, and am mesmerized by the way your lips feel on my skin. They’re not silk, like I imagined, but kind of rough. I can feel the scab you got when you ran into the tree last week, but somehow the texture of your lips is more endearing than the softness of a mother’s ever could be.
When you pull back, your face is red, but you’re grinning. I think I’m still smiling; I can’t tell because my face has gone numb.
“I’ll see you tomorrow,” you say, and before I know it, you’re gone.
3
I haven’t seen you since the barbecue. I’ve considered hopping the low stone wall separating our yards to see if you want to play, but every time I decide it’s a good idea, I change my mind a second later.
Today, however, I am so bored out of my mind that I can’t take it another minute. I have played video games, tried to read a book, and even played a game of Chinese Checkers with myself. I’ve exhausted every option, and you’re all I’ve got left.
“I’m going over to Laura’s,” I call to an empty house, and grab my football from the hall closet. You’re sitting on my curb when I open the door, scabby legs and holey tennis shoes stretched out in front of you. I can’t help but grin, and after a moment’s hesitation, your lips part in a smile. I notice you’ve lost a tooth. You ask if I want to play a new game today, and I say sure. I leave the football on the front step and follow you into the woods behind your house.
“It’s called spin the bottle,” you tell me, and I learn pretty quickly that playing with two people is infinitely better than playing with a group.
We play all afternoon.
Saturday, July 24, 2010
Contest Winner!
Spy Games offers hope, encouragement, and the possibility of empowerment to women, especially those coming from abusive or unhappy relationships. Not all handsome men are controlling, wacko stalkers. You can find one of the good guys—the hot hero who will defend and protect you against violent ex-boyfriends, power-hungry Hollywood producers, mafia bosses, and overzealous jewelry salesgirls. His love and loyalty may even make you want to go deep undercover.
Monday, July 19, 2010
Linkage and Things
Sunday, July 11, 2010
MadLib
Thursday, July 1, 2010
Book Recommendation: Living Dead Girl
Published September 2nd, 2008 by Simon Pulse
170 Pages
From Amazon.com:



